Day 2. Chaturanga

Chaturanga Dandasana. One of the most repeated questions I get about chata is “Why do my wrists hurt so badly?” I’m with you. My right wrist is shit. I have a ganglion cyst and too much pressure for too long can be incredibly painful. One tiny tweak in the way I do chaturanga has totally alleviated my wrist issues. Instead of the shift forward that is almost always cued in a traditional vinyasa class, I take a more ashtanga style approach by simply lowering straight down from high plank…no shift forward. I roll forward and through for upward facing dog to get myself into a good alignment for that pose, but my chaturanga is just a lower. No shift.  Life changing. Try it! Just because a teacher cues something, doesn’t mean it’s right for your body! Play with the pose and trust that your body knows best!


notes from the floor.

lately i’ve had the pleasure of leading my yoga classes from the vantage point of sitting on my rear end. incredibly frustrating, annoying, and surprisingly enlightening. i like to think i see what’s going on in my classes but i’ve never actually, for 60 minutes straight, been on the floor and stared at everyone’s alignment. i’ll blame my vata dosha for my physical and mental body being all over the place when i teach. i’m demonstrating, adjusting, or really just scanning the room for major alignment issues and/or people doing stupid things that will hurt themselves. i know that doesn’t sound very yoga teacher-y of me. but seriously, people do some dumb ass shit. (i do not exclude myself from this list….) anyhow. a few basic things if i may.

  1. chaturanga (half-way lower). it’s a half-way lower, not a ¾ lower. the reason being shoulder and elbow alignment. once the shoulder head dips down out of alignment with the elbow, you’re putting some SERIOUS nasty pressure on that shoulder joint. and think about how many chatas we do. talk about an overuse injury waiting to happen. if your arms start to fatigue, which they will since you’re human, DROP THE KNEES. or take the variation where you lower all the way to the belly. or skip it entirely and hang out in plank (that is still work!) and shift to down dog.
  2. urdvha mukha svanasana (updog). get them thighs off zeee floor! roll the shoulders back so they aren’t creeping up by your ears and push down into those hands, engage the legs by pulling the kneecaps up the thighs and get those quads lifting off the floor. only thing touching the ground should be palms and toenails. if your low back is like NO THANKS, take cobra. ain’t nothing wrong cobra. if the low back hurts though, ask yourself if you are engaging your belly muscles. pull that navel in, get your torso supported.
  3. adho mukha svanasana (downdog). holy shoulders in your ears. keep pushing them awayyyyyyy from your earlobes. feel those back muscles engage and the traps and neck muscles chill out! who needs that extra tension? externally rotate the shoulders, aka elbow pits forward. spread the fingers wide and watch for “cupping” where your palm pulls up off the floor. spread those fingers out, push down through the entirety of the hand and put a little bit of extra pressure into the L shape that the thumb and forefinger create. this will help alleviate wrist issues. k, we’re not done with this one yet. ribcage. pull it in. don’t get all gymnast* on me here. if you are engaging the navel lock, your ribs should start to draw in. squeeze that belly button up to the spine, then engage those upper abdominals by feeling like you are wearing a corset and draw those ribs in. don’t forget the pelvic floor. always draw up the pelvic floor. you don’t want to be in depends when you’re 50, right? pelvic floor, friend. and finally the legs. same thing here, kneecaps up the thighs. reach the heels for the floor—it’s cool if they don’t actually touch but that energetic reach will lengthen the legs and engage the muscles to both keep you safe and stretch you out.

*note. gymnasts are the most amazing beings on earth in my opinion. their ludicrous amounts of strength leave me in total awe. but you know what i mean with those ribs popping open. like when they do their TA-DA pose at the end and their ribs are like BAM. that’s what we want to avoid in down dog.